The inspiration for this post stems from a very amusing text I received yesterday from a very Catholic and very concerned mom (thanks for the advice), instructing me to go home early because the gates of hell open at midnight.
To which I replied: Those ghosts would not disturb me if I don't disturb them.
Mom: By going home early, you are not disturbing them. Touché. Very classy.
As Catholics, or any other religion other than those that celebrate this festival, these superstitions and beliefs should not be followed. However, in the uniquely Singaporean manner, everyone subscribes to these pieces of advice anyway, from not stepping on joss paper, kicking over food offerings to the relatively ridiculous like not turning around if you hear someone calling your name from behind you in the dead of night. Honestly, that would likely be what I would call Imagination; poised and ready to make life ever more interesting to make up for the monotony of daily routines. Like I said, better to be safe than sorry so I might just make my way home earlier today.
Speaking of ghosts, and thanks to my friend Google, fashion and ghosts or spirits surprisingly do not mix as much as I expected them to. For all the mystery, allure and eerie-ness that the underworld brings to the table, fashion does not take to it too kindly. I assume it's because these things have no positive connotations whatsoever, and probably serve to frighten more than inspire, to scare more than to impress. Then again, I chanced upon this hologram of Kate Moss, presented by none other than the late visionary Alexander McQueen, way back in 2006. The ghostly apparition of a holographic Moss gently wrapped in what seems like metres of tulle and mounds of McQueen magic was mesmerising from start to finish. The fragility and beauty in the dreamy apparition that lasted for a few minutes was more than enough to make a lasting impression.
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Ghostly apparitions don't appear often but I did find some and they are gorgeous. Fashion chooses to beautify the eerie, as it beautifies all else, hence it loses its ghastly edge but takes on an ethereal quality, much like what Kate Moss the hologram embodied as opposed to say, Helena Bonham Carter in the Corpse Bride. Fashionable ghosts are definitely more Western than Asian. I'm stereotyping for the sake of simplicity because the spirits of the West are somehow less creepy than the pontianaks, demons and vampires of the East. (Add zombies on the West side of the equation and perhaps both sides are more or less on par now, but zombies are on a whole new level). Something to go figure.
Katrin Thormann by Alexi Lubomirski, Vogue Germany, July 2010 |
For Vogue Italia |
Invitation a la dance by Solve Sundsbo |
♥,
Fir
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